22. Suzanne Bowker

I probably don’t spend enough time on this page talking about wet, shiny stuff. Reflective surfaces almost always add a sheen of mood to still photographs that can singlehandedly justify a pictures very existence. Yes, there’s a delightful boy in the picture dragging his mitten on a string all surrounded by converging lines, but in today’s lesson I’m asking you to simply observe the wet floor of the bridge and how beautifully Suzanne put it to good use. Beautiful.

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